Scenes

COLD OPEN. Darkness, muffled hum, a horn blares. Light bleeds in — we are on the ground, looking up. Will's face leans into frame (POV from Hannah lying on the street after a car crash). He strains to move something pinning her, can't budge it. "Just hold on for me." He reaches toward us — THE HUM builds, snaps to silence.

Hannah reaches for milk in a grocery shop. She flinches at a car horn outside — her breath catches. At the checkout, a CASHIER scans her items mechanically. Hannah grabs her bag, rounds a corner, and slams straight into LILY. They recognise each other — Hannah wraps Lily in a desperate hug. Lily senses something is wrong.

Coffee shop. Hannah sits across from Lily, hands curled around a barely-touched coffee, grocery bag on the floor. She tells Lily she "died" — describes the crash and a man who saved her. Lily mentions Hannah's blackouts have been getting worse. Hannah doesn't know what blackouts Lily means. Lily gently suggests seeing a doctor. Hannah notices Lily's hair is different.

Hannah walks slowly up a narrow garden path to Josh's house, holding her grocery bag. Birdsong, the hum of a passing car. She reaches the front door, pulls out keys, hesitates, then pushes the door open.

The door clicks shut behind Hannah. She steps into Josh's empty hallway — shoes padding on hardwood, the house eerily still. She moves toward the kitchen, grocery bag rustling.

Hannah sets the grocery bag on the kitchen counter and begins unpacking. Behind her, Josh speaks (O.S.): "Hello?" She freezes. Josh stands in the doorway, handsome but tense. "Who are you?" He doesn't recognise her. Hannah is devastated — tries to explain she's his girlfriend. Josh grows angry and orders her to leave. She bolts.

Hannah bursts out of the house, nearly tripping over the threshold. She fumbles for her phone and calls Lily — goes to voicemail. She leaves a panicked, rambling message about Josh pretending not to know her. She speeds up. Someone grabs her shoulder from behind and spins her around — it's WILL, the man from the crash. "Hannah, hang up." She's terrified. He tells her he was at the crash. Her face freezes mid-sentence. THE HUM builds.

CAFÉ. A coffee cup clinks down. Hannah leans back, arms crossed. Will sits across from her. "You're a time traveller." He confirms it. He explains time travel using sugar on the table — pouring a straight line for the timeline, showing how consciousness jumps back. He produces a folder stuffed with handwritten notes, diagrams, photographs. He explains there are two versions of her: the 2018 Hannah whose body she's in, and her 2025 consciousness. He proposes a plan: go back to when she first met Josh at a park café and recreate the meeting.

Will and Hannah walk with purpose through a narrow alley, walls covered in old tags and peeling posters. Hannah asks how precise the trip will be. Will explains he can narrow it to the day but they'll end up wherever their bodies were at that moment. "The earth moves through the galaxy at 200 kilometres a second." Hannah rehearses the plan: verify the date, meet Josh at the park café.

Doctor's office. Hannah sits in the exam chair. DR. PULASKI enters — apologises for delay, asks about her blackouts. Hannah plays along, distracted, scanning the room for the time. A wall clock reads 12:23. The doctor moves into view; Hannah's face tightens — she's running out of time.

Hannah bursts out of the doctor's office and into the street. She takes off down the sidewalk, dodging slow walkers, slipping between couples. Her breath is quick but controlled.

Hannah moves fast through the city street, past storefronts and blurred faces. She rounds a turn — SMACK. She collides full-force with someone. A firm grip catches her shoulders: WILL. But this Will doesn't know her — he's startled. She calls him by name. An awkward exchange: he insists they've never met. She runs off. He calls after her: "Don't make me come find you!"

City park café terrace. Tree shade, distant chatter. Hannah arrives in a rush, spots JOSH reading a book at a table, and sits across from him. She comments on his Flannery O'Connor novel. They flirt — easy, natural chemistry. She breaks down briefly; he kneels beside her. Then JULIA steps into the frame — striking, late twenties. She's Josh's girlfriend. Josh introduces Hannah. Julia notices Hannah looks shaken. Josh and Julia leave; Hannah forces composure until they're gone, then bolts.

City park. Hannah storms away from the café terrace, hands clenched, breathing hard. Will calls her name (O.S.). She ignores him, quickens pace. He catches up, grabs her shoulder. She whirls around — "Don't touch me!" They argue: she says he lied about fixing things, he says they need to go further back. She's furious and desperate. "I WANT TO GO HOME!" THE HUM builds.

RESET. Close up on Hannah — distant, hollow. The same street as the opening, the same moment. She takes a step forward — a hand yanks her back. A car blurs past, air stirring her hair. She turns: it's Will. This time, she's saved.

Sunset on the front steps of a quiet street. Hannah has her knees drawn up; Will walks up and sits beside her. They discuss what went wrong — Josh was with someone else, the original timeline is lost forever. Will talks about destiny and control. Hannah reveals she ran into an earlier version of Will before meeting Josh. They agree to keep trying — Hannah says "We're just beginning."

INTERCUT with 1.18. Hannah walks away down the street at sunset, resolute. With each step she feels more aware of her power, more hopeful. She says she'll call Will at 8 o'clock, same café.

INTERCUT with 1.17. Will alone at sunset. He opens his notebook — ON THE PAGES: dozens of handwritten notes, drawings, and diagrams. He turns a page. A photograph of Will and Hannah as a couple. He watches her walk away. A small, controlled smile.

SMASH CUT FROM BLACK. Hannah stares into the bathroom mirror under fluorescent lights. A toilet flushes, a stall door opens — a stranger brushes past and exits. Hannah grips the sink, breathes. "Okay." She gathers herself and walks out.

Hannah steps out of the bathroom into the lived-in café. She heads to a corner table where JOSH sits. They flirt — it's their first meeting in this loop. Hannah tells him about her "emergency pack of compliments" she gives to strangers. Josh is charmed, opens up about being an anxious person. Extended, warm two-hander.

THE HUM cuts. Hannah stands motionless in the city square. Morning traffic streams around her. She exhales, shifts, and crosses a street without looking.

LOOP RESTART. The bell jingles as Hannah enters the same café. She casts a glance at Josh's still-empty chair, joins the queue. JANA the barista greets her — they exchange the same order (cappuccino, medium, normal milk). Hannah accidentally calls Jana by name, covers it. Josh enters and takes his seat. Hannah approaches him with the wi-fi password and his book title — they begin the conversation again.

Bathroom mirror shot (same framing as 2.01). Hannah stares at her reflection. From behind a stall door, she hears suppressed crying. "Hello? Are you okay?" No one emerges. (Julia is O.S. behind the door.)

Hannah walks back to Josh's table. "So... where were we?" They pick up the conversation about compliments. Same beats, slightly shifted — Hannah knows the moves now.

LOOP RESET. THE HUM cuts. Same city square, same time. Hannah: "Fuck."

Same café, new loop. Hannah walks straight to the counter — Jana serves her. "And a pastry please." Jana: "Oh, I'm sorry, we're out. Some guy just left with the last one." Hannah clocks Josh already sitting in his chair, reading.

Bathroom mirror. This time, a stall door unlatches and a woman crosses to the next basin. IN THE MIRROR: JULIA. Red-eyed, swollen from crying, wearing a formal black dress. Hands under the tap. Hannah tries to mask her surprise. "Hey, are you okay?" Julia, wiping tears: "I'm fine." First real contact.

Hannah returns to Josh's table. They talk about compliments again. Hannah suggests leaving to get fresh air. "We just met," Josh says. Just then, JULIA walks out from the bathroom. Hannah panics — "I'll be right back."

Hannah exits the café, cuts into foot traffic, and thumbs a call. She tells Will (V.O.) that Julia is at the café. Will asks if it's a coincidence. Hannah realises this might be the first time Josh and Julia meet. Will tells her to wait and then change it.

Quick-cut loop moment. Close on Hannah, centred. The counter stays unseen. "Hannah with an H." Tight framing — a flash of the repeated loop.

LOOP RESET. Bathroom mirror. Same shot as opener — Julia appears in the mirror again, red-eyed. "Hey, are you okay?" Julia: "I'm fine." Hannah: "You don't look fine." Julia: "I'm sorry, do I know you?" Hannah: "No." This time Hannah stays. Julia explains: "Awkward timing." Hannah: "That's okay. Nice dress." Julia: "Thanks. It's for a funeral."

Hannah at her original table (not Josh's). She watches across the room. Julia comes out of the bathroom, crosses to Jana at the counter, orders a latte. Her phone dies when trying to pay. Josh walks up and joins the counter. "Problem?" He offers to pay for Julia's latte. As his thumb swipes — THE HUM builds. We zoom in on the phone, zoom out: it's in HANNAH'S hand. THE HUM cuts. Hannah and Julia stare at each other. Julia smiles.

Julia and Hannah sit opposite each other. Julia sips the latte Josh bought her. They talk about Julia's sister Nathalie who died of cancer. Hannah empathises, asks too many questions, keeps saying sorry. Julia opens up about grief and learning to live with loss. Meanwhile, Josh is still reading his book at his table across the room.

Hannah appears at the far end of the street and rounds the corner toward the café.

Hannah enters the café, is served by JANA at the counter. She compliments Jana's playlist — Jana lights up. Hannah orders, walks to a seat, holds the door for a patron with two coffees. She catches Josh already inside hunting for the wi-fi sign and gives him the password ("Spill the beans"). They sit together, begin the Flannery O'Connor conversation again.

FINAL BATHROOM LOOP RESET. Mirror. Julia in the mirror, red-eyed. Same exchange: "Hey, are you okay?" Julia: "I'm fine." Hannah: "You don't look fine." Julia: "Sorry, do I know you?" Hannah decides to change things: "Yes."

Julia and Hannah sit opposite each other once more. Julia stares in disbelief as Hannah explains the loops — dozens of them, the day repeating, trying to change the timeline. Hannah says they never met at this café before, but Josh and Julia did. She looks over at Josh's table — he smiles and gives a small wave of acknowledgement. Hannah tells Julia she hopes Julia will treat Josh well. Julia, moved despite herself, says Hannah made her forget about today. Hannah says "Julia. You'll be fine."

Early light across the park. Hannah sits on a bench, still, letting the city move around her. In the distance, half-obscured by trees, Josh and Julia walk together — just two figures in motion. Hannah watches with acceptance.

Will's office — a lived-in workspace with papers, files, notebooks. Hannah visits Will. He shows her her own social media profile on his laptop: "Hannah Greene, freelance translator." They discuss where to go next, the orphan feeling of having no original timeline. Will explains his office belongs to the "local" Will who doesn't mind him snacking.

Will and Hannah walk-and-talk in the office hallway. "Que sera, sera" — a light, reflective moment. Will asks where she'll go now. Hannah says she's currently occupying her 2018 body during a blackout.

Hannah alone in Will's office. She looks around at the shelves, the desk. She finds the folder — flips through. Lands on the photograph: Will and Hannah as a couple. She stares.

Will sifts through half-packed boxes in Maya's flat. He finds the Hugzilla plushie — oversized, ridiculous. He stares at it. IRIS stands in the doorway, watching him quietly. He talks about packing Maya's things.

Will exits Maya's building carrying the giant Hugzilla, which blocks his sightline. A cyclist — GRAHAM — slams into him. Will falls. Graham hits the pavement, blood at his hairline. Will tries to help; Graham coughs, bleeds.

RESET. Will exits again with the plushie. This time Graham barely misses him — cycles past without incident. Will sighs with relief.

Neighbourhood café. Will sits alone with the Hugzilla plushie in the opposite chair. GRAHAM walks in, pushes the plushie aside, sits down. He tells Will he remembers the crash — "it wasn't a dream." He was dying and transferred his consciousness into Will as a time traveller. They discuss the rules.

Evening. Will and Graham walk a sodium-lit street, shutters half-down, shop lights dying. Graham grabs Will's arm and rewinds time — they're on the same street, earlier. Graham explains the rules of travel: can't go before birth or after death, always end up wherever your body was.

Will opens his eyes in Maya's living room. It's empty — then Maya's voice from the bathroom. She emerges, hair wet. Will is overwhelmed — she's alive. They embrace. The clock on the wall ticks.

Two years later. Will sits under a tree on a park hill, reading his notebook. IRIS walks up and sits beside him. They greet casually. A quiet, reflective beat.

Friday night bar atmosphere. Will stands at a high-top with Iris and friends, slightly drunk. He threads through the crowd to the bar, where he meets HANNAH — she strikes up conversation. They talk about grief, Julia's sister, meeting people. Then JULIA steps up, introduces herself. She's with Hannah — puts her arm around her.

University cafeteria. Bright, high glass, pendant lamps. Will sits at a table. Hannah approaches, spots him, sits nearby. They talk about how they keep running into each other. Hannah mentions Julia's sister. Will mentions Maya died. Hannah extends sympathy — a genuine connection.

Housewarming party — downtown apartment, warm light, shoulder-close people with drinks. Will navigates the crowd. He bumps into JOSH at the fridge, who's friendly and offering beers. Then HANNAH pops up: "Boo!" Will smiles. Julia is at the party but not in this scene.

Will wanders the apartment hallway looking for the bathroom. He checks doors, settles on the bedroom.

Quieter bedroom with coats on the bed. Will opens a dresser drawer and finds a paperback with a photobooth strip as a bookmark — Hannah and Julia, cheek to cheek. JULIA enters and catches him. He's embarrassed; she's curious.

Will leaves the bedroom into the hallway, anxious and unsettled. He glimpses Hannah in the background through a doorway. He decides to reset.

RESET. Back in the party kitchen. Hannah pops up: "Boo!" Same moment, different knowledge. Will pockets what he's learned.

Morning after. Will walks a street alone. GRAHAM leans against a wall, confronts him — "You were there." They argue about changing the past. Graham warns it's dangerous. Will walks away angry.

Will and Hannah at home, playing Jenga at a table. Hannah explains it's about patience and steady hands. They discuss how she met Julia over coffee. Will pulls the wrong block — the tower crashes.

Same café, corner window table. JULIA in the black dress comes out of the bathroom and crosses to the counter where JANA serves her. Julia's phone dies trying to pay. WILL appears and swipes his phone to pay for her latte — taking Josh's original role. Julia is surprised and grateful. HANNAH is also present. Timeline has been altered.

Street. Will walks away from the café. GRAHAM intercepts him — says Will has changed something. Graham is furious, grabs Will's wrist. "This isn't a game."

FLASHBACK to the original park café meeting (same setting as 1.13). Tree shade dapples the terrace. HANNAH sits at a table. JOSH at another table, reading, smiling at her. WILL and GRAHAM watch from the trees at a distance. Graham confronts Will about creating chaos.

Que Sera, Sera. Will stands in Maya's living room. MAYA emerges from the bathroom, wet-haired. They talk; she sings with him. He's on the verge of breaking. The clock ticks. Will contemplates — then flashes out.

Midday. Will suddenly appears on a street holding a coffee cup. No sign of where he is. He walks, then hears a car crash O.S. He rounds the corner and finds HANNAH lying on the street, dying. Blood, broken glass. Will panics — this is the consequence of his changes.

REPEAT of 1.07 — same garden path, same staging. Hannah bursts out of Josh's house. Will grabs her shoulder, spins her around. Now seen from Will's POV. He was at the crash. She's terrified. Must match 1.07 exactly — same wardrobe, same blocking.

Morning. Hannah stares at the ceiling of their bedroom. The far pillow is still indented. Will is there (or has just been). Quiet domestic intimacy — easy, practiced.

Will prepares breakfast in the living room/kitchen. Hannah walks in. They greet casually — "My hero." Light, warm, but something unsettled beneath Hannah's surface.

Squash court. Hannah hammers the ball into the wall. LILY snaps it back — fast, competitive. Between rallies, Lily asks what's wrong. Hannah deflects. Lily probes about Will and the blackouts. Hannah shuts it down but she's visibly improved at squash.

Hannah sits alone in the living room, tea untouched. Maya's clock on the wall ticks. She stares at it, makes a decision. She stands.

Hannah walks up the familiar garden path to Josh and Julia's house. Rings the doorbell. JOSH opens the door. JULIA appears behind him. Hannah steels herself: "You guys don't know me, but I need to share something important... if you have the time."

Josh and Julia's living room — more lived-in now, photos on shelves. HANNAH explains time travel to JOSH and JULIA over a long, circuitous conversation. She describes Will manipulating their lives in the past. Josh is skeptical; Julia is cautious but listening. They go round in circles for two hours. Hannah can't find Will's diary anymore — he's hidden it.

Evening. Will and Hannah eat dinner in their kitchen, palpable tension. Will talks about work (Bob and Eric). Then mentions a flashback to when they first met — Hannah colliding with him on the street and calling him by name. Hannah realises this is the moment from 1.12. Charged undercurrent.

Night street. Hannah walks out checking her phone. JULIA emerges from the shadows. "Hi." They walk together.

Night. Hannah and Julia on a park bench, voices low. Julia says Josh was afraid this afternoon. They discuss Will — Hannah calls him a sociopath. Julia decides she wants to become a Traveller too: "Let's make sure I'm along for the ride." She takes Hannah's hand. "Think of what you're trying to save." THE HUM builds.

THE HUM fades. Hannah is in their bedroom, searching drawers and nightstand for Will's diary. She goes through piles of clothes, cupboards. Nothing. Then Will's silhouette fills the doorway. He found her.

Josh and Julia's house, evening. JULIA walks in, drops keys. JOSH appears — mirror shot of 1.06. "Who are you?" He doesn't recognise her. Julia tries to explain she was out with Hannah. Josh is a stranger to her in this timeline. HANNAH is present, having brought Julia here.

Their bedroom. Will confronts Hannah — "Did you really think I wouldn't find out and travel back here?" Hannah: "It's too late. She's out there." Will reveals the diary isn't here. They argue about control, happiness, and what he's done to her life.

Josh's house hallway. JOSH backs away from JULIA. "Do you need help?" Julia pleads — tries to make him remember. He doesn't know her. HANNAH watches the confrontation.

Their bedroom. Will and Hannah argue fiercely. "You turned my life to hell." "I saved you." "And then you changed everything." Will threatens: "If that's a problem, I can change it again. Oh. I just did."

Josh and Julia's house. JULIA pleads with JOSH alone — "I'm your girlfriend." Josh is bewildered and cold. Hannah has left. Two-hander, raw and desperate.

Their bedroom. Will delivers a final warning to Hannah: "Consider it a warning." The power dynamic is clear.

Night. JULIA stumbles out of Josh's front door, crying. She nearly falls on the garden path. HANNAH catches her, steadies her. Julia is devastated.

Hotel room, morning. HANNAH and JULIA wake up — they've spent the night. A phone rings. The alarm clock reads 7:55.

Neighbourhood café. HANNAH, JULIA and GRAHAM meet. "Lost in time." They discuss the situation — three Travellers trying to understand what Will has done.

Bar, evening. WILL and MAYA sit together in an alcove booth. HANNAH arrives and confronts Will. She's found him spending time with Maya. Tension and anger.

Domestic bliss? WILL and HANNAH in their kitchen. Will defends his actions — the life he built, the choices he made. Hannah pushes back.

Will's office. HANNAH searches the room for his diary — going through desk drawers, shelves. WILL catches her. Confrontation over the notebook and what it contains.

Day. WILL grabs HANNAH's shoulder on the street. She pulls away. "You're an asshole." Short, sharp, physical beat.

City park. HANNAH at the spot where she first met Josh. WILL arrives. Josh is somewhere nearby. Three characters but the focus is Will and Hannah — their alliance is fracturing.

Bar. WILL slams HANNAH against the bar — physical altercation. JULIA notices from across the room and leaps up to help. Violence and intervention.

Grass hill at dusk. HANNAH alone — lost, distraught. "No, no." She sits in the fading light, at her lowest point.

Outside Maya's building. WILL orchestrates GRAHAM's bike crash — causes it intentionally this time. Graham hits the ground. MAYA is visible from an upstairs window, looking down. Will is manipulating events.

Grass hill at dusk. HANNAH alone. She finds a stone circle in the ground and discovers the pendant/locket. She opens it — working hinge, something inside. A discovery that will change everything.

LOOP RESET. Coffee shop. HANNAH sits back down — LILY is mid-sentence, still talking. Hannah has returned from the hill. She sits quietly, shaken but processing.

Doctor's office. DR. PULASKI conducts an eye exam on HANNAH — clinical, searching. A different kind of examination than 1.10.

Cemetery. Nathalie's funeral. JULIA stands graveside in black. SIMON beside her. A MINISTER speaks (V.O. or O.S.). Mourners clustered behind. Grey light, still air.

Post-funeral gathering at Julia's house. JULIA, SIMON and mourners gathered around Nathalie's memoriam. Subdued conversation, grief, small comforts.

Student dorm room. HANNAH and NAOMI wake up together — tangled sheets, morning light. A university timetable is taped to the wall. Intimate, student-era flashback.

Julia's apartment, alone. JULIA is restless — pacing, checking her phone. She makes a call.

Bar at night. JULIA is drunk. MIKE approaches her aggressively, hitting on her. She tries to brush him off.

University library. HANNAH and NAOMI study together — books spread out, laptops open. Quiet intimacy between them.

Night. Party street outside a student bar. HANNAH and NAOMI weave through the crowd of students spilling onto the sidewalk.

Alleyway. NAOMI kisses HANNAH. Hannah pulls back. "You lied." A relationship-defining moment, tension and hurt.

Therapist's office. JULIA alone in a chair, talking. The therapist is O.S. (never seen). Julia talks about entropy, pillboxes, checklists. Monologue-style — single camera on Julia.

University campus. HANNAH spots JOSH among streams of students. They recognise each other — a chance encounter in the student-era timeline.

Campus café. HANNAH and JOSH sit together. He returns her student ID that she dropped. She writes her phone number on a napkin. A sweet, low-key first connection.

Street. HANNAH walks fast, sensing something is wrong. She quickens her pace. Solo, tense, driven.

ESTABLISHING SHOT. Student bar exterior — packed sidewalk, students spilling out. No principal cast needed.

Inside the student bar. JULIA, drunk, gets cut off by the bartender. She stumbles toward the exit.

Outside the student bar. HANNAH catches JULIA stumbling out. "Got you." She steadies her. A rescue.

Outside Julia's apartment building. JULIA fumbles with her keys. An "Out of Order" sign on the elevator. HANNAH helps her.

Inside Julia's apartment. HANNAH helps the drunk JULIA onto the couch. She takes care of her — removes shoes, gets water. Tender.

Julia's bedroom. JULIA wakes alone. Morning light. She finds Hannah's note on the nightstand. Hannah has already left.

Outside the café. HANNAH and JULIA meet. Julia is wearing sunglasses — hungover. They greet each other with new familiarity.

Inside the café. HANNAH and JULIA sit together. "Tabitha paid." The timeline has shifted — details are different. JANA is visible in the background behind the counter.

Grass hill at dusk. HANNAH alone again — lost, back at the hill. Searching for answers.

LOOP RESET. Coffee shop. HANNAH realises the pendant is the anchor — the key to controlling the loops. LILY keeps talking, oblivious. Hannah processes the revelation.

Outside the coffee shop. HANNAH exits and starts to run. A montage begins — she's moving with purpose.

Hotel room, morning. HANNAH wakes and finds JULIA. The alarm clock reads 7:57 (two minutes later than in 4.18 — a plot-critical difference). The phone did not ring. Something has changed.

Daytime. HANNAH and JULIA walk together through grass toward a tree on the hill. Side by side, purposeful.

Under the tree. HANNAH and JULIA find the stone circles. Julia places stones for Nathalie — a memorial, a tribute. The pendant is involved.

Student dorm room. HANNAH explains time travel to JULIA using spilled sugar on a desk — echoing Will's café demonstration from 1.08. A student timetable on the wall, a laptop open to Maya's obituary and party social media page. Julia listens, processing.

Night. HANNAH and JULIA walk through cobbled streets toward the student house party. Close, conspiratorial, purposeful.

They arrive at the student house. Bass thumps inside. JULIA stops at the gate — she's nervous. Hannah steadies her.

Inside the packed party. HANNAH pushes through the crowd. She spots MAYA laughing with friends across the room. She moves toward her.

Outside the house. HANNAH and JULIA step out for air. "What if we turn Graham into a Traveller?" They strategise.

Back inside the party. HANNAH slips through the crowd looking for Graham. MAYA intercepts her — a diversion. GRAHAM is somewhere in the party.

Outside the student house. JULIA is on her phone. WILL arrives at the party with a few friends, visible in the background.

Inside the party. HANNAH grabs GRAHAM. "Shit." Something has gone wrong with their plan.

Outside the house (back/side). GRAHAM is passed out on the ground. HANNAH and JULIA stand over him, reacting. Will is inside.

Classroom/lecture room. GRAHAM draws his time-loop diagram on the whiteboard — five circles rolling into one large loop. HANNAH and JULIA watch and listen. A tutorial in time travel mechanics.

Sunlit hallway. HANNAH and JULIA plan their next move. Will is referenced but not present. They strategise about how to fix things.

Lake. WILL and HANNAH sit on a bench by the water. "Everything has changed again." A reflective, melancholy two-hander.

Will and Hannah's kitchen. WILL tells HANNAH about the "success timeline" — the ring, the exhibition in Berlin, the life they could have had. He's trying to convince her.

Beach at dusk. WILL and HANNAH walk along the shore. Rough sea. "Can I save her?" Will asks. A crucial moment.

Night. Their hallway. WILL leads HANNAH upstairs, quiet and weighted. Something important awaits.

Their bedroom. WILL shows HANNAH a crib — baby Noah inside. She picks him up. "He's warm." The emotional peak of Will's pitch for their life together.

Maya's living room. WILL lets HANNAH in. A framed photo of Will and Maya (happy, mid-laughter) sits on the dresser. MAYA is present — older, changed. Will, Hannah, and Maya together.

Maya's bedroom. MAYA dies in her bed. WILL breaks down. HANNAH is present, witnessing. Grief, loss, the cost of time travel.

Outside the café, two years before the main timeline. HANNAH and JULIA meet. "Two years from now." A quiet, charged scene set in the past.

Julia's house. JULIA hugs NATHALIE — alive and warm. They cook together. A montage of domestic warmth, grief transformed into presence.

Grass hill. JULIA alone, kneeling, arranging stones into a circle for Nathalie. Solitary, reverent.

Final montage — café. HANNAH pays for Julia's coffee. They smile at each other. A callback to 2.14, roles reversed.

Grass hill. HANNAH steps up behind JULIA. Julia rises to meet her. They face each other.

Café. Two coffees set down. JULIA sits opposite HANNAH. Warmth, stillness.

Grass hill. HANNAH and JULIA stand side by side over the stone circles. Wind shifts. Grass bends.

Café. Montage continues. Light moves across Hannah and Julia's faces. They smile.

Grass hill. JULIA finishes the stone circle. "Now we live." The final image.