Scenes

Grass hill at dusk. HANNAH alone. She finds a stone circle in the ground and discovers the pendant/locket. She opens it — working hinge, something inside. A discovery that will change everything.

LOOP RESET. Coffee shop. HANNAH sits back down — LILY is mid-sentence, still talking. Hannah has returned from the hill. She sits quietly, shaken but processing.

Doctor's office. DR. PULASKI conducts an eye exam on HANNAH — clinical, searching. A different kind of examination than 1.10.

Cemetery. Nathalie's funeral. JULIA stands graveside in black. SIMON beside her. A MINISTER speaks (V.O. or O.S.). Mourners clustered behind. Grey light, still air.

Post-funeral gathering at Julia's house. JULIA, SIMON and mourners gathered around Nathalie's memoriam. Subdued conversation, grief, small comforts.

Student dorm room. HANNAH and NAOMI wake up together — tangled sheets, morning light. A university timetable is taped to the wall. Intimate, student-era flashback.

Julia's apartment, alone. JULIA is restless — pacing, checking her phone. She makes a call.

Bar at night. JULIA is drunk. MIKE approaches her aggressively, hitting on her. She tries to brush him off.

University library. HANNAH and NAOMI study together — books spread out, laptops open. Quiet intimacy between them.

Night. Party street outside a student bar. HANNAH and NAOMI weave through the crowd of students spilling onto the sidewalk.

Alleyway. NAOMI kisses HANNAH. Hannah pulls back. "You lied." A relationship-defining moment, tension and hurt.

Therapist's office. JULIA alone in a chair, talking. The therapist is O.S. (never seen). Julia talks about entropy, pillboxes, checklists. Monologue-style — single camera on Julia.

University campus. HANNAH spots JOSH among streams of students. They recognise each other — a chance encounter in the student-era timeline.

Campus café. HANNAH and JOSH sit together. He returns her student ID that she dropped. She writes her phone number on a napkin. A sweet, low-key first connection.

Street. HANNAH walks fast, sensing something is wrong. She quickens her pace. Solo, tense, driven.

ESTABLISHING SHOT. Student bar exterior — packed sidewalk, students spilling out. No principal cast needed.

Inside the student bar. JULIA, drunk, gets cut off by the bartender. She stumbles toward the exit.

Outside the student bar. HANNAH catches JULIA stumbling out. "Got you." She steadies her. A rescue.

Outside Julia's apartment building. JULIA fumbles with her keys. An "Out of Order" sign on the elevator. HANNAH helps her.

Inside Julia's apartment. HANNAH helps the drunk JULIA onto the couch. She takes care of her — removes shoes, gets water. Tender.

Julia's bedroom. JULIA wakes alone. Morning light. She finds Hannah's note on the nightstand. Hannah has already left.

Outside the café. HANNAH and JULIA meet. Julia is wearing sunglasses — hungover. They greet each other with new familiarity.

Inside the café. HANNAH and JULIA sit together. "Tabitha paid." The timeline has shifted — details are different. JANA is visible in the background behind the counter.

Grass hill at dusk. HANNAH alone again — lost, back at the hill. Searching for answers.

LOOP RESET. Coffee shop. HANNAH realises the pendant is the anchor — the key to controlling the loops. LILY keeps talking, oblivious. Hannah processes the revelation.

Outside the coffee shop. HANNAH exits and starts to run. A montage begins — she's moving with purpose.

Hotel room, morning. HANNAH wakes and finds JULIA. The alarm clock reads 7:57 (two minutes later than in 4.18 — a plot-critical difference). The phone did not ring. Something has changed.

Daytime. HANNAH and JULIA walk together through grass toward a tree on the hill. Side by side, purposeful.

Under the tree. HANNAH and JULIA find the stone circles. Julia places stones for Nathalie — a memorial, a tribute. The pendant is involved.