Scenes

Cemetery. Nathalie's funeral. JULIA stands graveside in black. SIMON beside her. A MINISTER speaks (V.O. or O.S.). Mourners clustered behind. Grey light, still air.

Post-funeral gathering at Julia's house. JULIA, SIMON and mourners gathered around Nathalie's memoriam. Subdued conversation, grief, small comforts.

Julia's apartment, alone. JULIA is restless — pacing, checking her phone. She makes a call.

Bar at night. JULIA is drunk. MIKE approaches her aggressively, hitting on her. She tries to brush him off.

Therapist's office. JULIA alone in a chair, talking. The therapist is O.S. (never seen). Julia talks about entropy, pillboxes, checklists. Monologue-style — single camera on Julia.

Inside the student bar. JULIA, drunk, gets cut off by the bartender. She stumbles toward the exit.

Outside the student bar. HANNAH catches JULIA stumbling out. "Got you." She steadies her. A rescue.

Outside Julia's apartment building. JULIA fumbles with her keys. An "Out of Order" sign on the elevator. HANNAH helps her.

Inside Julia's apartment. HANNAH helps the drunk JULIA onto the couch. She takes care of her — removes shoes, gets water. Tender.

Julia's bedroom. JULIA wakes alone. Morning light. She finds Hannah's note on the nightstand. Hannah has already left.

Outside the café. HANNAH and JULIA meet. Julia is wearing sunglasses — hungover. They greet each other with new familiarity.

Inside the café. HANNAH and JULIA sit together. "Tabitha paid." The timeline has shifted — details are different. JANA is visible in the background behind the counter.

Hotel room, morning. HANNAH wakes and finds JULIA. The alarm clock reads 7:57 (two minutes later than in 4.18 — a plot-critical difference). The phone did not ring. Something has changed.

Daytime. HANNAH and JULIA walk together through grass toward a tree on the hill. Side by side, purposeful.

Under the tree. HANNAH and JULIA find the stone circles. Julia places stones for Nathalie — a memorial, a tribute. The pendant is involved.